Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti – 37. In the final scene of "Götterdämmerung" (Ex.181-3)
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Еще песни Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti:
Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 40. This masterly way (Ex.192-3)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 37. In the final scene of "Götterdämmerung" (Ex.181-3)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 12. Along another, more complex line (Ex.69-72)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 9. Several other motives (Ex.49-52)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrunes motive (Ex.136-40
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 24. One further motive belongs (Ex.121)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25)
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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti – Wagner Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 13. In Act 2 of "Walküre" (Ex.69,73-75)
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Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti – Mozart Requiem in D minor, K.626 - Lacrimosa
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