Philip Langridge (tenor) – Sängers Morgenlied (Körner), 2nd version, D. 165

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Great Dagon has subdud our foe.. (G.F. Händel - Samson, HWV 57) – (Philip Langridge - tenor, English Chamber Orchestra, Raymond Leppard, 10/1978)

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Philip Langridge (tenor) – Liebesrauch (Körner), 2nd version, D. 179

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Giovanni Battista Bononcini – Stabat Mater (Felicity Palmer - soprano; Paul Esswood - countertenor; Philip Langridge - tenor; Christopher Keyte - bass; The Choir of St. Johns College, Cambridge; Philomusica of London; George Guest), 1977

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Philip Langridge (tenor) – Sängers Morgenlied (Körner), 2nd version, D. 165

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O death, where is thy sting – (Anna Reynolds - altol; Philip Langridge - tenor; Academy of St. Martin in the Fields; cond. Sir Neville Marriner)

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Antonio Lotti – Crucifixus (Felicity Palmer - soprano; Paul Esswood - countertenor; Philip Langridge - tenor; Christopher Keyte - bass; The Choir of St. Johns College, Cambridge; Philomusica of London; George Guest), 1977

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London Philharmonic Orchestra John Alldis (conductor) Felicity Lott (soprano) Philip Langridge (tenor) – Handel Messiah Part 2

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London Philharmonic Orchestra John Alldis (conductor) Felicity Lott (soprano) Philip Langridge (tenor) – Handel Messiah Part 1

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Antonio Caldara – Crucifixus (Felicity Palmer - soprano; Paul Esswood - countertenor; Philip Langridge - tenor; Christopher Keyte - bass; The Choir of St. Johns College, Cambridge; Philomusica of London; George Guest), 1977

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